Born and raised in Bournemouth, Malcolm received his first significant musical education as a Quirister at Winchester College. Following a music scholarship at King’s College, Taunton he took the B Mus course at the Royal College of Music in conjunction with King’s College London, studying organ with Richard Latham and composition with Stephen Dodgson. In his final year he won the Walford Davies prize, the college’s premier award for organ performance. During this time he was also involved as chorus master during the formative years of Gli Amici Della Musica in his home town of Bournemouth. This unique self-governing youth choir and orchestra, which flourished for thirty years, gave many aspiring young musicians opportunities in directing and managing concerts. His career in teaching took him in 1981 to Magdalen College School Oxford as Director of Music, a post he held for 26 years during which he nurtured the talents of many who have gone on to make significant contributions in a wide range of musical fields.

Currently Malcolm is conductor of the choir of Oxford University Press and also mentors the vocal ensemble Monday’s Madrigals. He is harpsichordist with the trio Musical Banquet, whose novel presentation of early music organised around a gastronomic theme has entertained audiences up and down the country for the past decade. He also appears as pianist with the New Oxford Trio and the Pavlova Quintet, and as continuo and keyboard player with Oxford Sinfonia and Oxford Symphony Orchestra.

As an organist, besides solo recital repertoire and concerto performances, he has also performed modern duo repertoire, such as Eben’s Landscapes of Patmos, with percussionist Keith Fairbairn. Malcolm adjudicates at music festivals and has lectured on musical topics for local branches of the National Trust and other organisations.

Malcolm’s compositions are published by Hop Vine Music, Camden Music and Oxford University Press. He is also the author of Bournemouth, No.6 in the Trolleybus Classics series published by Middleton Press. CDs of organ music, recorded at home on his Makin organ, are released on his own Larigot label.


Forthcoming performances 2018:

Sunday 8 July, 6pm
St Giles Cathedral, Edinburgh

Tuesday 10 July, 1pm
The Sypert Room, St Cecilia's Hall, Edinburgh

Saturday 21 July, 7pm
Manor Farm, Ardley

Saturday 1 September, 7.30pm
'Little' St Mary's Church, Cambridge

Saturday 22 September, 7.30pm
St Mary's Church, Kidlington

Sunday 14 October, 3pm
Rushmere St Andrew, Ipswich

Thursday 15 November, 11.15am
Guildford Cathedral


Sunday, 8 April, 3pm, St Nicolas Church, Abingdon: Abbey Chamber Concert – Martinu 'La Revue de cuisine' (piano)

Sunday, 15 April, 3pm, Exeter College Chapel: Kennington United Choirs – Brahms German Requiem (piano)

Sunday, 22 April, Silk Hall, Radley College: Abingdon Music Festival Concerto Competition (official accompanist)

Friday 3 – Sunday 5 May, St Helens & St Katharine's School, Abingdon: Abingdon Music Festival (official accompanist)

Saturday, 19 May, 7.30pm, St Margaret's Church Oxford: Oxford University Press Choir – 'Shakespeare with a Swing' (director)

Wednesday, 20 June, 12noon, Oxford Town Hall: Recital (organ) – Jongen Sonata Eroica, et al

Thursday, 12 July, 1pm, Oxford University Press:
"Summer Songs" (director)

Monday, 23 July, 1pm, St Michael in the Northgate Oxford: Song recital with Stella Seaton-Sims (piano)